For instance: the hipass is either set to fully track, or sit at a set frequency the filter drive is either off, medium, or high the filter keytracking is either off, half, or full.ĭunno what your musical goals are, but I’d personally go for a really nice poly over modular anyday. but in a synth that's sort of being touted as so great for interesting, new sound design I just wish I had more control. There are a few other things that are sort of opinionated design decisions that aren't necessarily bad. I would much rather be able to modulate the levels or the panning positions. The only modulation option I get for Super mode is to detune the swarm, which sonically overwhelms everything else that's going on. It's a solved problem and this is a step backwards. The way the mod matrix works is functional but not great. I hate the way it sounds when it does this. When you flip a toggle switch, the synth interpolates/crossfades between the two settings. Voices alternate between hard left/hard right, and the way the voice allocation works you can't depend on a predictable L/R alternation, which basically makes this mode unusable. In 12-voice mode, there's no way to control voice panning. Sometimes have to power cycle the unit to get a true reset. Init patch doesn't actually reset everything. You're stuck also modulating the Super parameters of voice 1. No way to independently modulate PW/PWM of voice 2 while Super mode is active.
You could get an 8-voice Prophet Rev 2 for like half the price. I was very excited when I picked it up and it's been kind of a let-down.
The binaural stuff is pretty subtle and I think you'd have to be doing super ambient drone music to really get mileage out of it. I have a Super-6 and my TLDR is that it's a teensy bit frustrating.
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